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George Harrison - All Things Must Pass
Album Comparisons: All Things Must Pass
Over the years, I've developed a fairly wide, eclectic taste in music, encompassing everything from classical and opera, jazz, blues, country, and most flavors of rock. But my original favorite genres were early to mid 1990s rock and 1950s-1960s oldies. And for me, when it comes to oldies, no act has ever topped the Beatles on my list of most esteemed musical artists. Not only do I have all their "official" British studio albums, I also have many of the American versions, all the officially sanctioned live compilations, and over a hundred separate bootleg compilations in my music collection. Suffice it to say, I'm a Beatles fan. That fandom doesn't extend to most of the individual Beatles' solo work, however; as far as I'm concerned, each former Beatle had one album of fairly strong material, with greatest hits and "best of" compilations filling out the rest of their definitive catalogs. For Ringo, that one strong album is 1973's Ringo. For John, it's 1980's Double Fantasy (minus the Yoko tracks). For Paul, it's actually the 1987 compilation album All the Best! (I just can't get excited about any of his actual albums, sorry!). And for George, it's his 1970 solo debut All Things Must Pass. This is the one essential release from George's solo career, in my opinion; one need only add 1973's single "Give Me Love (Give Me Peace on Earth)" and 1987's "Got My Mind Set on You" to this to have the complete compendium of Harrison's most important work post-Beatles breakup. I've owned a this album for a long time, once owning an original vinyl copy of it, and I've owned the remastered compact disc for over twenty years. Once I had the opportunity to get my hands on the comparatively rare 1987 CD release, I picked it up, wanting to know how it compared to the far more common 2001 remaster. How does it fare?

I'd Have You Anytime

1987 release

I'd Have You Anytime

2001 remaster

I'd Have You Anytime

My Sweet Lord

1987 release

My Sweet Lord

2001 remaster

My Sweet Lord

Wah-Wah

1987 release

Wah-Wah

2001 remaster

Wah-Wah

Isn't It a Pity

1987 release

Isn't It a Pity

2001 remaster

Isn't It a Pity

What Is Life

1987 release

What Is Life

2001 remaster

What Is Life

If Not for You

1987 release

If Not for You

2001 remaster

If Not for You

Behind That Locked Door

1987 release

Behind That Locked Door

2001 remaster

Behind That Locked Door

Let It Down

1987 release

Let It Down

2001 remaster

Let It Down

Run of the Mill

1987 release

Run of the Mill

2001 remaster

Run of the Mill

Beware of Darkness

1987 release

Beware of Darkness

2001 remaster

Beware of Darkness

Apple Scruffs

1987 release

Apple Scruffs

2001 remaster

Apple Scruffs

Ballad of Sir Frankie Crisp (Let It Roll)

1987 release

Ballad of Sir Frankie Crisp (Let It Roll)

2001 remaster

Ballad of Sir Frankie Crisp (Let It Roll)

Awaiting on You All

1987 release

Awaiting on You All

2001 remaster

Awaiting on You All

All Things Must Pass

1987 release

All Things Must Pass

2001 remaster

All Things Must Pass

I Dig Love

1987 release

I Dig Love

2001 remaster

I Dig Love

Art of Dying

1987 release

Art of Dying

2001 remaster

Art of Dying

Isn't It a Pity (Version Two)

1987 release

Isn't It a Pity (Version Two)

2001 remaster

Isn't It a Pity (Version Two)

Hear Me Lord

1987 release

Hear Me Lord

2001 remaster

Hear Me Lord

It's Johnny's Birthday

1987 release

It's Johnny's Birthday

2001 remaster

It's Johnny's Birthday

Plug Me In

1987 release

Plug Me In

2001 remaster

Plug Me In

I Remember Jeep

1987 release

I Remember Jeep

2001 remaster

I Remember Jeep

Thanks for the Pepperoni

1987 release

Thanks for the Pepperoni

2001 remaster

Thanks for the Pepperoni

Out of the Blue

1987 release

Out of the Blue

2001 remaster

Out of the Blue
And the winner is: 2001 remaster, by a wide margin.. The original 1987 CDs are a crushing disappointment - extremely muddy and just dull-sounding overall. The remaster, by contrast, "pops," announcing itself boldly through the speakers with confidence and with a more full-bodied vitality. Despite its obvious compression, this is easily the definitive version of this album, at least until the people at Mobile Fidelity Sound Labs get their hands on the master tapes. I bought this album on CD around 2002 in its remastered format, and I purchased the earlier CD release when I stumbled across a used copy about twenty years later. I made the second purchase hoping that it would be superior to the remaster in sound quality, but it proved to be a disappointment.

I should also comment on how the folding down of what was originally a triple album onto two discs was handled. As stated in the introduction, I owned this album on vinyl at one time, and to this day I'm still more accustomed to the track division on the original 1970 release than I am to what is presented on either of these two compact disc releases. The remaster puts LP disc one onto CD #1, filling out the rest of the run time with five additional bonus tracks. LP discs two and three are featured together on CD #2. The 1987 discs, on the other hand, simply run the three original records together with fourteen tracks on disc one and nine on disc two. The second disc of the LP is thus divided with side one at the end of the first CD and side two starting off the second CD. While this is a logical division that eliminates the requirement for a third disc, it interrupts the flow a bit from my listening perspective.

Apart from the original album content, I must say that the included bonus tracks on the remaster are mostly worth having, with at least one, "I Live for You" being a song that should have been included on the album from the start. Two others, "Beware of Darkness" and "Let It Down," are worthy tunes in their own right which are well worth a listen. The instrumental version of "What Is Life" is an interesting oddity, but honestly feels like filler, given that it's the same as the regular version except with the vocals mostly mixed out (I say "mostly" because there's a bit of audible ghosting due to track crosstalk on the master tape). The 2000 version of "My Sweet Lord" is the one track I can most do without, as it feels like something that was done to make some kind of a point. It leaves a bitter taste in my mouth compared to the original. I also appreciate the lyrics, photos, and liner notes featured in the remaster's CD booklet, in contrast to the 1987 discs' booklets which are bare bones. I don't usually recommend a remaster over an earlier issue, but in this case the best choice is clear.