Of all my favorite bands from back in the day, Nirvana probably qualifies as the one whose style would be most compromised by today's hyper compressed mixing and mastering practices. How would a band known for its sudden dynamic shifts (songs like "Heart-Shaped Box" and "Frances Farmer Will Have Her Revenge on Seattle" come particularly to mind here) fare in a day and age where all dynamic expressiveness is squashed in order to make things as loud as possible? After the twin sonic disasters of
Bleach and
Nevermind, I steeled myself for the worst with the 20th anniversary edition of
In Utero.
Serve the Servants
1993 original DGC/Sub Pop release
1997 Mobile Fidelity Sound Lab release
2013 DGC/Universal remaster
Scentless Apprentice
1993 original DGC/Sub Pop release
1997 Mobile Fidelity Sound Lab release
2013 DGC/Universal remaster
Heart-Shaped Box
1993 original DGC/Sub Pop release
1997 Mobile Fidelity Sound Lab release
2013 DGC/Universal remaster
Rape Me
1993 original DGC/Sub Pop release
1997 Mobile Fidelity Sound Lab release
2013 DGC/Universal remaster
Frances Farmer Will Have Her Revenge on Seattle
1993 original DGC/Sub Pop release
1997 Mobile Fidelity Sound Lab release
2013 DGC/Universal remaster
Dumb
1993 original DGC/Sub Pop release
1997 Mobile Fidelity Sound Lab release
2013 DGC/Universal remaster
Very Ape
1993 original DGC/Sub Pop release
1997 Mobile Fidelity Sound Lab release
2013 DGC/Universal remaster
Milk It
1993 original DGC/Sub Pop release
1997 Mobile Fidelity Sound Lab release
2013 DGC/Universal remaster
Pennyroyal Tea
1993 original DGC/Sub Pop release
1997 Mobile Fidelity Sound Lab release
2013 DGC/Universal remaster
Radio Friendly Unit Shifter
1993 original DGC/Sub Pop release
1997 Mobile Fidelity Sound Lab release
2013 DGC/Universal remaster
Tourette's
1993 original DGC/Sub Pop release
1997 Mobile Fidelity Sound Lab release
2013 DGC/Universal remaster
All Apologies
1993 original DGC/Sub Pop release
1997 Mobile Fidelity Sound Lab release
2013 DGC/Universal remaster
And the winner is: 2013 remaster.
To say I was astonished by this remaster would be an understatement. After the absolutely infuriating, unforgiveable train wreck that was the
Nevermind remaster, I was prepared for the worst. While - given that
In Utero was a fairly loud album for its day - I was hopeful that the added compression would not be as extreme by comparison with the original release as that employed on the disastrous
Nevermind re-release two years earlier, so many past disappointments nevertheless steeled me for another sonic raping. Imagine my surprise to find that not only does this remaster sound
great, but it's actually an
improvement over the original release by featuring a better, clearer, and (shockingly) more dynamic transfer! The remaster even tops the 1997 Mobile Fidelity Sound Lab audiophile release. It is my understanding that original producer/mixer Steve Albini worked on this one, and the results are nothing short of fantastic. I wholeheartedly recommend this new release and, although all three versions are good, it is the clear winner in this contest.
Special note: The deluxe edition of the remaster also features a number of bonus tracks as well as a complete remix of the entire album made by Steve Albini and the surviving band members. I understand that the intentions were to take advantage of improved technology and to allow the music to "breathe" in a way that it did not upon its original 1993 release. I'm almost never in favor of remixes as I see them as pointless and crass cash ins, but in this case I have to say the remix sounds excellent and in many ways it gives the listener a fresh new perspective on the music. I didn't review it here, but it's worth checking out.