This is one of the most infamous albums ever released - in audiophile circles, at least - and it's easy to see why. When this album debuted in 1999, it was heavily criticized for its audible distortion and hyper-compressed mastering. It's certainly a candidate for one of the worst sounding mastering jobs in my music collection, and it lives up to its reputation, with crackling, staticky distortion throughout. But this album was released during the tail end of the cassette era, during a time when CD volume levels had begun to really get out of hand but cassette and vinyl releases (presumably) were still being mastered as before. So how do the levels on the Californication disc compare with the analog releases? I got my hands on an original, period copy of the cassette release in order to find out.
Note: The cassette waveforms below are from a digital transfer of a 1999 mint condition, factory sealed copy of the album that I acquired via eBay [release #247386-4], played back using Dolby B noise reduction. The volume level of each individual song from the cassette version has been normalized for a more accurate comparison of dynamics.
Around the World
1999 original CD release
1999 original cassette release
Parallel Universe
1999 original CD release
1999 original cassette release
Scar Tissue
1999 original CD release
1999 original cassette release
Otherside
1999 original CD release
1999 original cassette release
Get on Top
1999 original CD release
1999 original cassette release
Californication
1999 original CD release
1999 original cassette release
Easily
1999 original CD release
1999 original cassette release
Porcelain
1999 original CD release
1999 original cassette release
Emit Remmus
1999 original CD release
1999 original cassette release
I Like Dirt
1999 original CD release
1999 original cassette release
This Velvet Glove
1999 original CD release
1999 original cassette release
Savior
1999 original CD release
1999 original cassette release
Purple Stain
1999 original CD release
1999 original cassette release
Right on Time
1999 original CD release
1999 original cassette release
Road Trippin'
1999 original CD release
1999 original cassette release
And the winner is: CD release, with reservations. As the waveforms demonstrate, the extreme brickwalling present on the compact disc is totally absent on the cassette. Even so, listening tests prove that the compact disc version has a brighter sound and better reproduction of higher frequencies than the cassette version has, which is to be expected given the available frequency range of a standard type I cassette tape. We're not talking about an extreme difference here, but the difference
is audible, especially on good equipment. Where the cassette version shows itself to be superior is its lack of staticky distortion in the louder, denser passages of music as compared to the CD. Listen to the end of a song such as "Easily" and you'll be able to hear this difference. It's a subjective decision whether the tradeoff of no distortion for some loss of high frequency reproduction is worth it or not, and it ultimately comes down to whether the distortion is enough to bother a particular listener, and even down to the quality of the playback equipment and speakers being used for listening. The CD distortion, though audible, is nowhere near as bad as that on "The Day That Never Comes" from
Death Magnetic, or indeed anything at all from
Raw Power, each of which is orders of magnitude worse than anything found on
Californication.
Regardless of the choice of media format for this album, it goes without saying that the levels on the CD are ridiculous. Why the people responsible for this thought it was a good idea speaks to the mentality that has pervaded the music industry since the mid-1990s through to the present day - that having the loudest album on the block somehow makes yours better than everyone else's. That being said, the compact disc version of Californication still sounds better to my ears than either Death Magnetic or Raw Power, which may or may not be saying much depending on your opinion of those two albums. Audio fidelity isn't everything, but it may be important enough to be a factor in deciding whether tracking down a cassette copy (or even better, an original vinyl copy) of this album is worthwhile if you're a hardcore fan.