Continue reading "My years photographing the local music scene, part 1"
Category: Photography
bookmark_borderEmma Lucore follow up: Visiting the old locations in 2025
bookmark_borderEmma J. Lucore, early Fort Worth photographer
(Update: I visit the old Fort Worth studio locations in this follow up post)
If you're a follower of this blog and website, you know that one of my interests is photography, both contemporary and historical. I've featured several collections of vintage and antique photos alongside my own, and I'm currently in the midst of a longish-term project to chronicle the histories of early local photographers. Toward this end, about five months ago, I began assembling a collection of Fort Worth-area cabinet cards. These included works by Burdge, Daniel, Mignon, Swartz, Thomason & Leffler, Works, and one of my rare acquisitions from a female photographer, Emma Lucore. I'd never heard of Emma Lucore before then, and I decided to have a look into who she was and how long her studio was in operation.
Continue reading "Emma J. Lucore, early Fort Worth photographer"bookmark_borderVantage points for photographing the Dallas skyline
N. Edgefield Avenue bridge over Interstate 30
A great place to capture the full Dallas skyline is on North Edgefield Avenue over Interstate 30, just south of Fort Worth Avenue. Not only does this location give one of the best views of the skyline, it also offers a chance to get some cool light trails at night via a long exposure. And, unlike some of the other spots on this list, it provides a view of Downtown which includes Reunion Tower.
This area feels a bit sketchy, so if you're doing night shooting it might not be a bad idea to take along a companion to watch your back.
bookmark_borderLoving Day
Montana couple, circa late 1900s/early 1910s
Late nineteenth century Montana had its share of discriminatory practices, even if it was something of an outlier in the U.S. as a whole with its lack of enforced segregation in public schools, universal (male) suffrage, and (until 1909) lack of a law prohibiting interracial marriage between whites and non-whites. Discrimination and prejudice did of course exist, but this couple - if they were a couple, as they appear to be - apparently decided to weather those particular storms together. Photographer Victor Grigsby opened his first Livingston studio in early 1908, placing the time of this photo at around the end of the aughts or the 1910s.