bookmark_borderThe Steel Press

Even though it's been a while and I've been working on multiple other ongoing projects, I am still continuing work on the Ghosts of DFW music history blog series. There are several upcoming installments that have been in development for some time, delayed in large part by my efforts to secure interviews and gather relevant historical materials and memorabilia. Much of said memorabilia is tied to venues which have not heretofore been covered in depth, and this has meant having to dig deep to get my hands on period collectibles and ephemera. And in the case of Dallas's early punk years, those collectibles have included old fanzines.

The Steel Press dates to the early 1980s. First published in April 1982, the premiere issue featured a cover story of Bad Brains playing the Hot Klub, as well as interviews with The Assassins and The Judys and various local concert listings. The two issues I've been able to obtain date to August 6th of that year and to an unspecified date after that (apparently around October 1982). Studio D, the Hot Klub, and VVV Records (all subjects of upcoming Ghosts installments) feature prominently, as do advertisements from Metamorphosis Records and listings of top-selling punk and new wave releases. The earlier issue features a cover photo of the Dead Kennedys, reproduced in a very-much-of-its-time Xerox machine style. The later issue originally appeared in two variants, the first of which included a cover story about the newly-opened Ground Zero, "Dallas's first nuclear bar." That variant is the one I have in my collection.

The Steel Press, Volume 2, Number 3, August 6, 1982
The Steel Press, August 6, 1982

Given the rarity of these items, and my belief that local history should be accessible to the general public rather than locked away in historical archives (even when said archives are my own), I've uploaded both of them in full to the Internet Archive here. Per a statement from the editors in the Dead Kennedys issue, "all or part of this publication may be reproduced or edited for the advancement of music and for the benefit of those who create music." Presumably (hopefully) this applies to the Ground Zero issue as well.


All original material on this page is © 2026 Peter Orozco (all rights reserved).

bookmark_borderMusic scene memoirs and my time in the scene (blog series)

Me at the Rail Club, November 2013.  Photo by Metal Mina Pics.
Rail Club, November 2013. Photo courtesy Metal Mina Pics.

I spent about nine years as a photographer documenting bands in the Dallas-Fort Worth music scene. That journey was a starting point for my interest in local music history, and having a place to showcase my photos from that experience was a prime factor in my decision to establish this website in January 2008. This series tells the story of that journey.

bookmark_borderMy years photographing the local music scene, part 3

Continued from My years photographing the local music scene, part 2

Not counting open mic performances, I only attended 42 shows in 2010, down dramatically from my peak of 76 in 2008. My responsibilities with the Lost Art Open Mic were a factor in this, but they weren't the whole story. Over time, I had shifted my focus to shows featuring bands and performers with whom I had forged personal relationships. This would become more and more the norm for me in the months and years ahead, with exceptions becoming increasingly rare and eventually almost nonexistent. The closure of the Skillman Street Pub in 2011 played no role in this recalibration, as I had long since ceased to regularly frequent the venue by the time of its demise. Rather, I had reached the point of burn out with the parade of cookie monster metal bands and dollar store Pantera knockoffs which seemed to make up the bulk of its nightly offerings. The way forward – for a while, at least – was in the direction of smaller, more intimate settings with increasingly limited outings to the bigger clubs.

Emmeline at Yogurtville, October 2011
Emmeline at Yogurtville, October 2011

Continue reading "My years photographing the local music scene, part 3"

bookmark_borderA nineteenth century view of Dallas

If you've spent any length of time scouring this blog, you'll know I'm always interested in collecting old photos of places I've been, especially places I've visited during my various road trips across the United States and Canada. But it's an especial treat to get my hands on antique, previously unknown photographs of my own hometown. And this time, I've managed to acquire a couple of really unique ones. These two glass negatives date to the late nineteenth century, and as of this writing are the oldest physical photos I've acquired of the city of Dallas. Original photos of this vintage depicting Dallas are pretty rare, especially previously unpublished ones.

Continue reading "A nineteenth century view of Dallas"

bookmark_borderDFW in vintage photos, take II

Here is another selection of rare and mostly one-of-a-kind photos of the Dallas-Fort Worth area, drawn from my personal collection of prints, slides, and film negatives.

C.H. Edwards' Music House, 1890s

Charles Hodge Edwards moved to Dallas in the 1870s and opened a piano store at 407 Main Street. He set up shop in at least three locations before settling by 1884 at 733-735 Main. This cabinet card photo, most likely from the 1890s, captures that final location, the address having been changed in 1891 to 265-267 Main Street as part of a citywide address renumbering initiative. C.H. Edwards' younger brother, James H. Edwards, is identified at the bottom of the photo as the third from left of the six people pictured. Today, the old site of the music house is occupied by the Westin Hotel/One Main Place.
C.H. Edwards Music House, 1890s
C.H. Edwards Music House at 265-267 Main Street, 1890s
Continue reading "DFW in vintage photos, take II"