The adventures and various works of a photographer, road tripper, former patron of the local arts, aspiring app developer, and late night coffee drinker and conversationalist.
Here is a collection of rare and mostly one-of-a-kind photos from the Dallas area, most of them from my personal collection. These recall a bygone era in Dallas public transportation, with a focus on showcasing still identifiable areas of the city that have changed significantly since the original images were taken. Vintage streetcar photos can be some of the best representations of what once existed downtown, offering unique glimpses of long-gone city blocks, buildings, and intersections.
View facing east on Elm Street near Stone Place, circa 1943
This medium format film negative captures a very different view from what is seen today. The Rhealee Milliner on the right side of the picture is now the City Tavern, and the shorter building on the left that housing Paul's Shoes is completely gone, its place now occupied by a parking lot. Today the Giant Eyeball resides in the space next to that parking lot, looking out toward Main Street one block south and marking the farther end of the lot where the old Praetorian building, Dallas' first skyscraper, stood before being demolished in 2013.
Elm Street at Stone, facing east, circa 1943 (Author's collection)Continue reading "Dallas’s interurban streetcars in vintage photographs"
I kicked off 2009 with a truly incendiary show at the Vampire Lounge. Two nights later, I was back for a night featuring Severed Sol. I honestly don't remember why I went to that show, as the name Severed Sol conjures up absolutely nothing in my memory, and my only notable photos from that night were a few throwaway shots of model/photographer Amber DeVille posing with a lit candle. I continued to hit up the Skillman Street Pub fairly regularly, and I began to slowly broaden my circle of venues a bit. I had a new sometimes-companion to some of the shows now, the two of us spending quite a bit of time together. That person was the Cassie B. from my 2008 birthday party and the December 20th show at Lola's. Despite certain acquaintances' insinuations to the contrary, Cassie and I were never more than just best friends – I wasn't her type, and as for me, my affections definitely lay elsewhere, with a lovely lady in the scene who shall remain unnamed. Cassie accompanied me to performances by bands such as Red Pyramid, Sidekick Mafia, and the Opus Flux, and in March we made a weekend trip down to Austin during the SXSW festival. During the Austin trip we stopped in at Headhunters and saw a performance of the Blue Flames, a band which, I was pleased to learn, hailed originally from Dallas.
With the recent heavily researched, long gestating content I've put up recently (and with more still on the way), it's time to take a step back from high effort material. I've been thinking for some time that I should get around to recounting my days in the local music scene, specifically my nine-ish years spent as a photographer of local bands. There are references to those days all over this website, and curated examples of my work from that time period are easily accessible via my Live Photography galleries. But I've never taken the time to tell the tale in full and to discuss how I got into the scene, who my principal collaborators were while I was in it, and why I eventually ended up leaving it. I've decided that now is the time for that story to be told.
Emma Lucore's first Fort Worth studios were at 109 E 3rd Street, next door to the original Fort Worth Opera House, and at 808 Main Street, one block north of husband Bassett's wood and coal yard. Both these original studio locations are still in use today by active businesses. I paid a few visits to the area to get a look at the sites as they stand in the 21st century. On one of my visits, I was accompanied by a friend.
Detail of 1889 Sanborn insurance map, recording the Fort Worth Opera House and photo studio next door
Continue reading "Emma Lucore follow up: Visiting the old locations in 2025"
