The adventures and various works of a photographer, road tripper, former patron of the local arts, aspiring app developer, and late night coffee drinker and conversationalist.
I like to collect vintage photos, particularly vintage photos of my hometown of Dallas and photos of places I've visited. Most of these date from the era of affordable personal photography and include mostly slides, real photo postcards, and everyday prints with the occasional vintage film negative thrown in. But a handful of items in my collection date to a period even earlier than that. These are not photo reproductions or reprints, period postcards, or facsimiles, but are actual period specimens that hail from the nineteenth or extreme early twentieth centuries. Here are examples of some of these.
Daguerreotype of young lady, 1/6 plate, circa 1840s
This portrait of a young lady is said to date to sometime during the 1840s, making it the oldest photo in my collection as of this writing. The ringlets in the woman's hair are a particular draw for me stylistically, and, unlike most photos from this period, you can see a bit of a smile playing upon her lips. Daguerreotypes consist of sheets of silver-plated copper, very highly polished and chemically treated to be light-sensitive. The image consists of the same silver as the surface upon which it sits, meaning that the appearance of the photo alternates between a positive and negative image depending on how the available light hits it. Daguerreotypes are very fragile objects and are usually presented behind glass-plated frames, which are stored inside latched, decorative cases. Mine came without a case, but I immediately placed it into one upon receipt.
Unfortunately, I have no information on the location, the photographer, or the identity of the woman in the photo. What I can say is that having one daguerreotype makes me want to have another. This was purchased from an online seller in mid-January 2025.
I purchased this vintage photo from an online auction. The expression on this young lady's face is a bit inscrutable. Is she sassily hamming it up for the camera? Or is she about to eat the photographer? Her scary disposition makes this vintage photo a fun pick for this year's Halloween.
This series of images presents a view of one portion of downtown Elm Street over a period of approximately 11 decades. The view is facing east in the general area of present-day Akard Street.
This first postcard, published by S.H. Kress & Co. around the early 1910s, shows Elm Street as it would have appeared circa 1911/1912. Kress was a five and dime chain of stores that once dotted the country, known for its distinctive architectural designs and, later, for its segregationist company policies. According to contemporary newspaper articles, the Kress store shown in the postcard was commissioned and built in 1911 for a cost of $38,000 (around $1.2 million in 2024 dollars). The Wilson Building, seen behind the W.A. Green & Company building, housed the Titche-Goettinger Department Store until the end of the 1920s. The vantage point of the artist is Scollard Court, or present-day Exchange Place, renamed to the latter following the 1916 construction of the Exchange National Bank. Today Exchange Place is little more than a narrow, alley-like walkway sandwiched between the one-time Exchange bank building and that of its rival Republic National Bank, long since christened "Money Alley" and designated as a historical landmark. Note the streetcar lines running down the center of Elm Street.
I recently purchased this large collection of 2500 35mm slides, mostly Kodachromes but also with some Ektachromes and Agfa specimens included. What kind of content is on these? I don't know everything exactly, but the dates range from the 1950s to the 1990s and the subjects appear to be everything from scenes of everyday life to travel to various random images. One thing that my "Ghosts of DFW Music History" blog series has made crystal clear to me is my need to assemble a collection of stock images from which to draw whenever I need illustrative content for one of my projects. And I can't realistically expect to have examples of everything I might want to use someday in the (admittedly sizable) collection of photos I've taken myself. Dealing with ownership and copyright concerns is a royal pain in the rear when I want to use someone else's material, so the opportunity to acquire a large collection of previously unpublished and unencumbered images at a low cost is something I didn't want to pass up. While I expect that only a small percentage of these will ultimately be of interest to me, even two or three percent will justify the cost of the entire set.
