The adventures and various works of a photographer, road tripper, former patron of the local arts, aspiring app developer, and late night coffee drinker and conversationalist.
Collecting vintage and antique photos is a pastime of mine. Most of my collection is acquired from antique shops and antique malls, estate sales, and from online purchases. On occasion, I post collections of these photos on this blog. This is a home page for these collected posts, and it will be updated as new collections are added.
During the latter 1980s, while the punk scene was maturing on the east side of the DFW Metroplex, a similarly loud, aggressive music scene was developing in parallel to it over on the west side. Dallas had its iconic, punk focused venues such as the Honest Place, the Hot Klub, Studio D, and the succession of venues to call 2111 Commerce Street home. Likewise, Fort Worth and environs had their own metal focused clubs such as Rascals, the Tombstone Factory, and Joe's Garage. These two scenes didn't exist in a vacuum, of course, and there was plenty of crossover between them (the Silver Dollar Rock Shop was located in Dallas, for example, and Fort Worth-based Rigor Mortis was famously managed and guided to a record deal by Jeff Liles, who once booked shows for the Theatre Gallery in Deep Ellum). But, musically and spiritually speaking, the early DFW metal scene was based mostly on the west side of town. The aforementioned Rascals, Tombstone Factory, and Joe's Garage will be subjects of future installments in this series, but sprinkled among these iconic venues were a number of smaller, less remembered haunts that also called the areas west of Dallas home. What were some of these, and what (if anything) remains of them today? In this installment of "Ghosts of DFW Music History," we'll take a look at four of them.
Continue reading "Ghosts of DFW music history: West side haunts"
Much has already been written to chronicle Pantera's early years, their formation, history in the Metroplex, and their subsequent rise to fame, and it's not my intention to duplicate that here. Rather, this post is instead going to focus on the story of their in-house record label, Metal Magic, and on the studio where they recorded their early output: how these came to be, the story and history behind them, and the role they played in helping launch the band's career. The story begins with Jerry Bob Abbott, a country music singer/songwriter, musician, producer, sound engineer, and the father of Darrell and Vinnie Paul Abbott. The tale of Metal Magic Records is as much the story of Jerry Abbott's early career in the music production industry as it is of Pantera's early rise to fame.
Continue reading "Ghosts of DFW music history: Pantego Sound Studio/Metal Magic Records"
