bookmark_borderMy years photographing the local music scene, part 2

Continued from My years photographing the local music scene, part 1

I kicked off 2009 with a truly incendiary show at the Vampire Lounge. Two nights later, I was back for a night featuring Severed Sol. I honestly don't remember why I went to that show, as the name Severed Sol conjures up absolutely nothing in my memory, and my only notable photos from that night were a few throwaway shots of model/photographer Amber DeVille posing with a lit candle. I continued to hit up the Skillman Street Pub fairly regularly, and I began to slowly broaden my circle of venues a bit. I had a new sometimes-companion to some of the shows now, the two of us spending quite a bit of time together. That person was the Cassie B. from my 2008 birthday party and the December 20th show at Lola's. Despite certain acquaintances' insinuations to the contrary, Cassie and I were never more than just best friends – I wasn't her type, and as for me, my affections definitely lay elsewhere, with a lovely lady in the scene who shall remain unnamed. Cassie accompanied me to performances by bands such as Red Pyramid, Sidekick Mafia, and the Opus Flux, and in March we made a weekend trip down to Austin during the SXSW festival. During the Austin trip we stopped in at Headhunters and saw a performance of the Blue Flames, a band which, I was pleased to learn, hailed originally from Dallas.

The Blue Flames at Headhunters, March 2009
The Blue Flames at Headhunters in Austin, March 2009
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bookmark_borderAI-composed spam in my blog’s comments

So-called "Artificial Intelligence," or AI, is insinuating itself into every aspect of our lives these days. This increasing proliferation of computer generated content (i.e., slop) is largely at the behest of huge corporations who have spent billions gathering personal data via online tracking, social media, cell phones, and an increasing number of so-called "smart" devices. Much of the data used to train AI models has been taken without permission from creatives and put toward the aim of generating an avalanche of artificially created content. This content then finds its way into advertisements, apps, services marketed to replace human creators, and, naturally, various types of spam. And that spam is increasingly finding its way onto online blog posts. Continue reading "AI-composed spam in my blog’s comments"

bookmark_borderMy years photographing the local music scene, part 1

With the recent heavily researched, long gestating content I've put up recently (and with more still on the way), it's time to take a step back from high effort material. I've been thinking for some time that I should get around to recounting my days in the local music scene, specifically my nine-ish years spent as a photographer of local bands. There are references to those days all over this website, and curated examples of my work from that time period are easily accessible via my Live Photography galleries. But I've never taken the time to tell the tale in full and to discuss how I got into the scene, who my principal collaborators were while I was in it, and why I eventually ended up leaving it. I've decided that now is the time for that story to be told.

Continue reading "My years photographing the local music scene, part 1"

bookmark_borderEmma Lucore follow up: Visiting the old locations in 2025

Emma Lucore's first Fort Worth studios were at 109 E 3rd Street, next door to the original Fort Worth Opera House, and at 808 Main Street, one block north of husband Bassett's wood and coal yard. Both these original studio locations are still in use today by active businesses. I paid a few visits to the area to get a look at the sites as they stand in the 21st century. On one of my visits, I was accompanied by a friend.
1889 Sanborn insurance map detail
Detail of 1889 Sanborn insurance map, recording the Fort Worth Opera House and photo studio next door
Continue reading "Emma Lucore follow up: Visiting the old locations in 2025"