The adventures and various works of a photographer, road tripper, former patron of the local arts, aspiring app developer, and late night coffee drinker and conversationalist.
My collection of albums, EPs, singles, and promotional discs from local and Texas-based artists numbers over 500 items as of this writing. While the majority of these run the gamut from average to ho-hum to downright awful, there are some gems sprinkled throughout that are worth having and worth listening to in 2024. Here are twenty-four of my favorites, albums I don't have just because I happened to pick them up in a secondhand store or acquire them at a show, but because they are genuinely good with a collection of good to great material.
Blind Lemon circa 1926
During a recent trip to Houston, I made a detour off the interstate and headed toward the town of Wortham, Texas. This detour wasn't taken to skirt the endless traffic bottlenecks or the constantly recurring speed traps along I-45 between Ennis and Houston; it was to pay my respects to a true icon of Texas music. Hailing from Coutchman, Texas (now a ghost town) as the child of sharecroppers, Lemon Henry "Blind Lemon" Jefferson, along with Lead Belly and T-Bone Walker, was one of the pioneering forces in the development of the original Deep Ellum music scene during the 1920s and '30s. Beginning as a street musician in East Texas towns and later ending up in Dallas by (probably) 1917, Jefferson would go on to graduate from street busker to eventual successful recording artist courtesy of a contract with Paramount Records. Along with the aforementioned Lead Belly, Walker, and others, he became one of the progenitors of a long tradition of highly influential Texas musicians who put us on the map beginning in the late 1910s and continuing through to modern times.
The last post in my "Ghosts of DFW Music History" series was on April 30th, a full 3 1/2 months ago. I managed to get the post up just before starting my sabbatical from work and embarking on my long road trip up to Alaska. Since my return, following a couple of weeks taken to recharge and recover, I resumed work on my other long-term projects with the aim of returning to the "Ghosts" series in a couple of weeks. Those couple of weeks have, without my ever intending them to, extended to over three months. I have been at work gathering historical materials and following up on a couple of leads, but overall I have been focusing heavily on getting all my other in-progress tasks out of the pipeline - clearing the table, so to speak. Vintage photo galleries, research on a few historical DFW sites, working on my long-delayed road trip travelogues, and, notably, finally getting some business cards created, have been my main priorities since returning from Alaska. But now it's time to get back to work on the "Ghosts" series. If all goes according to plan, I hope to edit and post about half a dozen more entries over the next few months, and to wrap up the entire series by the end of 2024. I'm also strongly considering making an eventual print edition of the completed project, which would not only allow me to expand upon a few things that were left out of the online posts, but also to update the overall text with additional information I've gathered since the original versions went up on the site. I have a potential cover image and design already put together as a proof of concept, and I have some ideas on whom I would like to tap for a potential foreword. This won't happen until sometime in 2025 if I do indeed proceed with the idea. In the meantime, be on the lookout for new series installments in the coming days. I'm waiting to hear back from a few sources and have found new wells to tap for memorabilia, so fingers crossed.
Pantera is the most famous metal band to ever come out of the Dallas-Fort Worth area. Their influence on metal is still being felt decades after their last album, and everyone who's been in the scene doubtless has his or her own opinion on what constitutes their best work. This is my take on their legacy in terms of what represents them at their best, and what represents the worst they had to offer. Here are all nine of Pantera's studio albums, ordered from worst to best. A few of these placings will no doubt be controversial to more hardcore Pantera fans!
During the latter 1980s, while the punk scene was maturing on the east side of the DFW Metroplex, a similarly loud, aggressive music scene was developing in parallel to it over on the west side. Dallas had its iconic, punk focused venues such as the Honest Place, the Hot Klub, Studio D, and the succession of venues to call 2111 Commerce Street home. Likewise, Fort Worth and environs had their own metal focused clubs such as Rascals, the Tombstone Factory, and Joe's Garage. These two scenes didn't exist in a vacuum, of course, and there was plenty of crossover between them (the Silver Dollar Rock Shop was located in Dallas, for example, and Fort Worth-based Rigor Mortis was famously managed and guided to a record deal by Jeff Liles, who once booked shows for the Theatre Gallery in Deep Ellum). But, musically and spiritually speaking, the early DFW metal scene was based mostly on the west side of town. The aforementioned Rascals, Tombstone Factory, and Joe's Garage will be subjects of future installments in this series, but sprinkled among these iconic venues were a number of smaller, less remembered haunts that also called the areas west of Dallas home. What were some of these, and what (if anything) remains of them today? In this installment of "Ghosts of DFW Music History," we'll take a look at four of them.
