The adventures and various works of a photographer, road tripper, former patron of the local arts, aspiring app developer, and late night coffee drinker and conversationalist.
Emma Lucore's first Fort Worth studios were at 109 E 3rd Street, next door to the original Fort Worth Opera House, and at 808 Main Street, one block north of husband Bassett's wood and coal yard. Both these original studio locations are still in use today by active businesses. I paid a few visits to the area to get a look at the sites as they stand in the 21st century. On one of my visits, I was accompanied by a friend.
Detail of 1889 Sanborn insurance map, recording the Fort Worth Opera House and photo studio next door
Continue reading "Emma Lucore follow up: Visiting the old locations in 2025"
(Update: I visit the old Fort Worth studio locations in this follow up post)
If you're a follower of this blog and website, you know that one of my interests is photography, both contemporary and historical. I've featured several collections of vintage and antique photos alongside my own, and I'm currently in the midst of a longish-term project to chronicle the histories of early local photographers. Toward this end, about five months ago, I began assembling a collection of Fort Worth-area cabinet cards. These included works by Burdge, Daniel, Mignon, Swartz, Thomason & Leffler, Works, and one of my rare acquisitions from a female photographer, Emma Lucore. I'd never heard of Emma Lucore before then, and I decided to have a look into who she was and how long her studio was in operation.
Photographing nighttime skylines is one of my favorite pursuits when I go out with my camera. On many of my road trips across both the United States and Canada, I've tried to do this whenever possible, and I've captured both partial and full skylines in cities such as Vancouver, Montreal, Edmonton, Detroit, Philadelphia, and New York. Closer to home, I've spent a good amount of time looking for the best vantage points in the Dallas area to capture a good view of the Downtown skyline, and I'm presenting several of those here. These are spots where it's practical for a normal person to take a photo, and the places listed below are all easily accessible without a lot of effort.
N. Edgefield Avenue bridge over Interstate 30
A great place to capture the full Dallas skyline is on North Edgefield Avenue over Interstate 30, just south of Fort Worth Avenue. Not only does this location give one of the best views of the skyline, it also offers a chance to get some cool light trails at night via a long exposure. And, unlike some of the other spots on this list, it provides a view of Downtown which includes Reunion Tower.
This area feels a bit sketchy, so if you're doing night shooting it might not be a bad idea to take along a companion to watch your back.
Dallas is home to a healthy community of photographers and photography studios in the digital era. While the widespread prevalence of easy, convenient cameras in everyone's mobile device makes everyday photography easier than ever, there is still a niche carved out for professional work when it comes to memorializing important events or, just as importantly, people. This was no less the case in the earlier days of photography, in the days before Kodak and the Brownie camera made picture taking easily accessible to the masses. The portrait studios that operated in the late nineteenth century captured images on plates of glass and produced printed vanity photos, or "cabinet cards," by the dozen for those seeking to memorialize their own likenesses, or those of their family members or families. But while these studios helped create a valuable record of many early communities, their own legacies have so often been erased by over a century of urban development, with little to no evidence left to recall their one-time locations near city centers. In this post, we're going to go on a sort of "walking tour" of several such locations in the city of Dallas, and take a look at the stories behind seven early Dallas photography studios.
The tour area
